Karitos Conference 2015
The mission of Karitos is to provide Biblically-based artistic and technical growth experiences to Christian artists.
Be ready.
Take a look.
Showing posts with label artists. Show all posts
Showing posts with label artists. Show all posts
Monday, August 11, 2014
Saturday, December 11, 2010
What Do You Do As An Artistic Discipline?
Artistic Discipline?
Musicians play scales? Painters practices strokes? Poets test forms? What do you do?
The easy answer is what you should do. That's not discipline. That's talking about discipline.
I'm looking for great ideas, even unorthodox ones. What do you actually do? How does it help?
Search Amazon.com for Adobe Creative Suite 5
Musicians play scales? Painters practices strokes? Poets test forms? What do you do?
The easy answer is what you should do. That's not discipline. That's talking about discipline.
I'm looking for great ideas, even unorthodox ones. What do you actually do? How does it help?
Search Amazon.com for Adobe Creative Suite 5
Saturday, March 13, 2010
Calligrapher Timothy R. Botts: Bound for Glory - Chicago-Area Show
Artwork by Calligrapher Timothy R. Botts, Inspired by Spirituals, Now on Display
March 18, 2010
New artwork by calligrapher and illustrator Timothy R. Botts will be on display in the Billy Graham Center Museum at Wheaton College through September 8, 2010.
The exhibit, titled, “Bound for Glory: New Work by Timothy Botts” is a collection of more than 30 works of art inspired by African-American spirituals.
An artist’s reception will be held from 6 to 9 p.m. Thursday, March 18, with a performance by members of the Wheaton College Gospel Choir.
“With this new body of work I want to celebrate the incredible gift of music that African Americans gave to the church and to the whole world,” Botts says. “It is especially amazing that these people who, though enslaved by Christians, saw through their hypocrisy and met the real Jesus. I pray that the visual interpretations of this spirit-filled music will be an instrument of healing and reconciliation among us.”
The pieces incorporate influences from traditional American quilts, and from the quilts of the Gees Bend community in Alabama. Botts was also inspired by traditional African art and writing systems, as well as by urban graffiti.
Award-winning author and journalist Patricia Raybon provided captions for the works. Her personal essays on faith, family and race relations have been published in The New York Times Magazine, Newsweek, USA Today, and other nationally recognized media outlets.
Bound for Glory: New Work by Timothy R. Botts opened March 4, and will be on display through September 8, 2010. Museum hours are Monday-Saturday, 9:30 a.m.-5:30 p.m. and Sunday, 1:00-5:00 p.m. There is a suggested donation of $4 for general admission, $3 for students and seniors, $1 for children under twelve and $10 for families.
The Billy Graham Center Museum is located at 500 College Avenue in Wheaton (campus map). The museum offers free parking and is wheelchair accessible. For more information, call 630.752.5909 or visit www.billygrahamcenter.com/museum
http://www.timbotts.com/
Thursday, November 5, 2009
High School Artists?
Masterpiece Ministries
http://masterpieceministries.org/
Based near Nashville, TN, a center of music nationally, with a great emphasis in arts in general, is Masterpiece Ministries.
The impact of the creative world on our culture is irrefutable. The arts stretch our imagination and know few boundaries. However, there exists a chasm of acceptance and understanding between the church and those wonderfully complex humans we call artists.
Gordon and Sherrie Rogers have worked with young people for over 35 years at church, in their own home, and through Sherries adolescent and family therapy. They discovered that young artists often do not fit in well with church-sponsored youth programs that emphasize physical recreation. To close the gap, they founded Masterpiece Ministries in 1995 with a mission to help young people identify and develop their gifts in the arts and to encourage them to become wholehearted followers of Jesus Christ.
http://masterpieceministries.org/
Based near Nashville, TN, a center of music nationally, with a great emphasis in arts in general, is Masterpiece Ministries.
Music. Film. Dance. Theater. Painting. Writing. Graphic Design.
The impact of the creative world on our culture is irrefutable. The arts stretch our imagination and know few boundaries. However, there exists a chasm of acceptance and understanding between the church and those wonderfully complex humans we call artists.
Gordon and Sherrie Rogers have worked with young people for over 35 years at church, in their own home, and through Sherries adolescent and family therapy. They discovered that young artists often do not fit in well with church-sponsored youth programs that emphasize physical recreation. To close the gap, they founded Masterpiece Ministries in 1995 with a mission to help young people identify and develop their gifts in the arts and to encourage them to become wholehearted followers of Jesus Christ.
Friday, June 12, 2009
Christian Art Teacher: Jack Burgess: From Painting the Hills of Kentucky to Enriching the Lives of Students
Jack Burgess: Living Curriculum Teacher: From Painting the Hills of Kentucky to Enriching the Lives of Students or in the Trib Local here.
See the June Connection here.
Jack teaches Digital Photography, Graphic Design, and Painting at Wheaton Academy and is known by his colleagues as a creative, godly teacher. He wears many hats, including ad hoc artist at WA, called upon for his professional assistance in everything from branding to website layout. His Winterim course for set design brings students together who want to learn the art and craft of theater stage design, skills used in Wheaton Academy’s musical.
Books about art, design, education and collaboration fill Jack Burgess’ classroom. Student art and photography cover the walls. Piled in corners and leaning against his desk are a banjo, juggling pins, and a balancing device which looks like a cross between a skateboard and a see-saw. There is purpose to all of this, says Jack, “It’s about creating a creative space, where inspiration is always just a few feet away, where risk taking is encouraged.”
See the June Connection here.
Wednesday, March 25, 2009
Focus on Faith: Jewish artist expresses Christian beliefs in works
Focus on Faith: Jewish artist Ramsdale expresses Christian beliefs in works
Sunday, March 22, 2009
By Bill Buell (Contact)
Gazette Reporter
Marilyn Heisman Ramsdale has endured some struggles in her life, and she doesn’t mind talking about them and sharing with others just how she got through them all.
An Albany native now living in South Bethlehem, Ramsdale has a spiritual story that’s a bit more complicated than others: She’s a Messianic Jew, which means she believes in Jesus Christ despite the fact that she grew up in a Jewish family and continues to call herself Jewish.
more
Sunday, March 22, 2009
By Bill Buell (Contact)
Gazette Reporter
Marilyn Heisman Ramsdale has endured some struggles in her life, and she doesn’t mind talking about them and sharing with others just how she got through them all.
An Albany native now living in South Bethlehem, Ramsdale has a spiritual story that’s a bit more complicated than others: She’s a Messianic Jew, which means she believes in Jesus Christ despite the fact that she grew up in a Jewish family and continues to call herself Jewish.
more
Monday, February 16, 2009
Christian Art Show in Illinois - Lively Arts to Exhibit Their Work
Lively Arts will be doing an exhibit at La Spiaza. March 5 to April 5. Above is the official flyer designed by Tim Botts.The artists will be available to discuss their works, including Lively Arts founder and calligrapher, Tim Botts, and Natalie Lombard, banner artist.
The exhibit features the works of Tim Botts, Scott Davis, Gary Lobdell, Natalie Lombard, Frank Nicholas, Kathy Schneider, Dan Stulz, and Colleen Yang.
The show's opening will include a spoken word performance by Anthony Trendl and guitar by Scott Davis. They will perform together "Love Song for Charlie Parker," an homage to the Beats, and other pieces.
La Spiaza Coffee House
114 N Main St
Wheaton, IL 60187
(630) 221-8772
Lively Arts is a gathering of Christian artists, meeting the fourth Monday of every month for show-n-tell, and to connect artists with the church and the community.
Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.
James 1:17, NIV
Friday, January 23, 2009
Strong Arguments on a Shaky Premise - Review - The Art Instinct: Beauty, Pleasure, and Human Evolution
The Art Instinct: Beauty, Pleasure, and Human Evolution
"The Art Instinct: Beauty, Pleasure, and Human Evolution" by Denis Dutton concludes itself before it begins, and it does so masterfully. It tries too hard, and asks too much of the reader, all with more aplomb than solid premise.
Charles Darwin argued a species evolved to protect itself, to multiply itself in his theory of evolution. All instincts meet that function, one way or another; no instinct exists that does not meet that function except for anomalies that are bleed from the gene pool.
Art, says Dutton, is instinctual. I caught this in the rambling introduction, and on the back flap. The back flap owns great praise summed up by Steven Pinker, a psychologist (not an artist or biologist or geneticist) who is listed six times in the bibliography. That's far more than any other author (including Kant, Derrida and Aristotle). That's except for Dutton himself, who happens to list himself six times as well.
In other words, his introduction was a chapter in itself, but lacks the strength of a good structure.
He does not adequately show why beautiful birds', in their beauty, are form and not just function, and how, if that is true, humans are part of this. Instinct's goal is never art for art's sake, but pure function without form. The base animal mind is not asking for art, but for a way to gauge the worthiness of a mate.
He tries to define art, which he agrees is a dicey thing to pin down, loaded with bias, knowledge issues and "personal idiosyncrasies." He dodges around the cultural differences, while swooning toward tribal art with only the most vague critique.
Among his larger challenges are ones surrounding the Dadaist movement, and forgery. This begs back to his chapter, "What Is Art?" Not Dutton, nor I, can clear up whether Dadaism is art or just a philosophically statement. He rightfully cites "Fountain," the urinal signed by Marcel Duchamp in 1917 as a pinnacle of what the Dadaists offered.
Dutton sees art as including the visual, musical and literary arts, and tries to respond to all of them at once, integrated and interdependent. That might be more than his small book can handle, as the topic requires several times the volume to make the necessary points.
Readers, in turn, cannot appreciate the book without a vast range of knowledge in each area. Dutton includes notes, but misses the opportunity to quote more from, at least, the literary pieces. Pictures, too, are in order. I caught myself reading this with an online search engine and encyclopedia opened, and even then, am not convinced I understood all his allusions.
Art may have, in its past, some kind of instinctual use, but Denis Dutton does not prove it. "The Art Instinct: Beauty, Pleasure, and Human Evolution," discusses making an argument for itself, but never really lands. As Dutton himself once asserted about another writer, his book "beats readers into submission and instructs them that they are in the presence of a great and deep mind."
I'm not so sure.
Anthony Trendl
http://AnthonyTrendl.blogspot.com
http://anthonytrendl.com/
"The Art Instinct: Beauty, Pleasure, and Human Evolution" by Denis Dutton concludes itself before it begins, and it does so masterfully. It tries too hard, and asks too much of the reader, all with more aplomb than solid premise.
Charles Darwin argued a species evolved to protect itself, to multiply itself in his theory of evolution. All instincts meet that function, one way or another; no instinct exists that does not meet that function except for anomalies that are bleed from the gene pool.
Art, says Dutton, is instinctual. I caught this in the rambling introduction, and on the back flap. The back flap owns great praise summed up by Steven Pinker, a psychologist (not an artist or biologist or geneticist) who is listed six times in the bibliography. That's far more than any other author (including Kant, Derrida and Aristotle). That's except for Dutton himself, who happens to list himself six times as well.
In other words, his introduction was a chapter in itself, but lacks the strength of a good structure.
He does not adequately show why beautiful birds', in their beauty, are form and not just function, and how, if that is true, humans are part of this. Instinct's goal is never art for art's sake, but pure function without form. The base animal mind is not asking for art, but for a way to gauge the worthiness of a mate.
He tries to define art, which he agrees is a dicey thing to pin down, loaded with bias, knowledge issues and "personal idiosyncrasies." He dodges around the cultural differences, while swooning toward tribal art with only the most vague critique.
Among his larger challenges are ones surrounding the Dadaist movement, and forgery. This begs back to his chapter, "What Is Art?" Not Dutton, nor I, can clear up whether Dadaism is art or just a philosophically statement. He rightfully cites "Fountain," the urinal signed by Marcel Duchamp in 1917 as a pinnacle of what the Dadaists offered.
Dutton sees art as including the visual, musical and literary arts, and tries to respond to all of them at once, integrated and interdependent. That might be more than his small book can handle, as the topic requires several times the volume to make the necessary points.
Readers, in turn, cannot appreciate the book without a vast range of knowledge in each area. Dutton includes notes, but misses the opportunity to quote more from, at least, the literary pieces. Pictures, too, are in order. I caught myself reading this with an online search engine and encyclopedia opened, and even then, am not convinced I understood all his allusions.
Art may have, in its past, some kind of instinctual use, but Denis Dutton does not prove it. "The Art Instinct: Beauty, Pleasure, and Human Evolution," discusses making an argument for itself, but never really lands. As Dutton himself once asserted about another writer, his book "beats readers into submission and instructs them that they are in the presence of a great and deep mind."
I'm not so sure.
Anthony Trendl
http://AnthonyTrendl.blogspot.com
http://anthonytrendl.com/
Friday, January 16, 2009
Andrew Wyeth died July 12, 1917 - January 16, 2009
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2010: July 15-17